Sorkin explained that he actually stole a shot from 1977’s “Close Encounters of the Third Kind” as a “homage to Steven.” He explained that there is a shot in “Chicago 7” with light shining in such a way that looks to be out of “Close Encounters.” When you watch the film, see if you can figure out which shot he’s talking about.
Sorkin also said this film made him discover the way light and shadow can dramatically change a film.
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